theo van doesburg


Theo van Doesburg (Dutch: [ˈteːjoː vɑn ˈdusbɵrx], 30 August 1883 – 7 March 1931) was a Dutch artist, who practiced painting, writing, poetry and architecture.He is best known as the founder and leader of De Stijl. Some, such as Gropius himself, were alienated by Van Doesburg's dogmatic and aggressive views; others, such as the young Mies van der Rohe, were inspired. One can almost hear her laughter.And there was a great deal to laugh about: besides the rational philosophy of De Stijl, Van Doesburg was actively involved in a movement that seems to embody the exact opposite: Dada. The Van Doesburgs re … März 1931 in Davos, Schweiz), eigentlich Christian Emil Marie Küpper, war ein niederländischer Maler, Schriftsteller, Architekt, Bildhauer, Typograf und Kunsttheoretiker. Doesburg then installed himself near to the Bauhaus buildings and started to attract school students interested in the new ideas of The friendship between Van Doesburg and Mondrian remained strong in these years, although their primary means of communication was by letter. Theo van Doesburg, pseudoniem van Christian Emil Marie Küpper, (Utrecht, 30 augustus 1883 – Davos, 7 maart 1931) was een Nederlands kunstenaar.Hij staat bekend als een van de belangrijkste vertegenwoordigers en propagandisten van de abstracte kunst in de 20e eeuw. Bonset y Aldo Camini.Estuvo casado con la artista, pianista y coreógrafa Nelly van Doesburg

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In 1920 De Stijl magazine published a Dada poem by a certain IK Bonset.
Painter, poet, art critic, designer, typographer, architect, performance artist – he was all those things and more.

Its influence is felt right up to the present day. Whether or not he expected to be taken on to the staff of the Bauhaus is not clear; what is certain is that his presence was a yeast in the ferment that swirled around the design school. His axonometric projections of ideal houses, created in conjunction with the young architect Cornelis van Eesteren, are crucial in understanding this concept so it is a shame that they do not form part of this otherwise comprehensive exhibition. Theo Van Doesburg. He lectured and published, talked and theorised, attended conferences and congresses and exhibitions, many of which he organised himself. He began painting again – he had done no painting at all in Germany – and design commissions came his way: the Flower Room in the modernist Villa Noailles in the south of France ­being the first. You reach out to grab Mondrian and what have you got? Naast schilder was Van Doesburg ook actief als dichter (zie I.K. Hiertoe richtte hij in 1917 het tijdschrift De Stijl op. Theo van Doesburg (30 August 1883 – 7 March 1931) was a Dutch artist, practicing in painting, writing, poetry and architecture. Shortly afterwards came a collaboration with Arp and his wife Sophie Taeuber-Arp to redesign the ­interior of one wing of the Aubette building in Strasbourg as an entertainment centre. Both artists evolved out of the Dutch figurative tradition into complete abstraction at exactly the same time, but while Mondrian remained with his bleak, geometric painting throughout his life, Van Doesburg had other ideas, dozens of them. His first exhibition was in 1908. For example, his In 1923, directly after returning to Holland from Germany, the Van Doesburgs partnered the wonderfully barmy Schwitters in a grand Dada tour of Holland. The whole complex is now classified as a With money she had been left in her father's will, Nelly bought a plot of land in Meudon. They were inseparable; whenever Van Doesburg appears in a photograph – and there are plenty in the exhibition – there is Van Moorsel beside him, often the only woman in the group, her mischievous grin a wonderful counterpoint to his solemn gaze. Born Christian Emil Küpper in 1883 into an artistic family in Utrecht, he only became "Theo Doesburg" when he started painting – his adopted name being borrowed from his stepfather. In 1923 Van Doesburg moved to Paris, together with his later wife In 1929 the two men reconciled when they accidentally met in a café in Paris.Van Doesburg had other activities apart from painting and promoting De Stijl: he made efforts in architecture, designing houses for artists, together with Van Doesburg stayed active in art groups and the magazine Van Doesburg's work has had significant influence, including that dealing with issues of crossover art, design and architecture.

The "van" was added later, in much the same way that Ludwig Mies added "van der" when he merged his mother's maiden name, Rohe, with his own paternal surname. Theo van Doesburg was a Dutch artist and designer who helped found the De Stijl movement with his fellow countryman Piet Mondrian. One detects a similar feeling of social insecurity in the two men.At the start of his career Van Doesburg was a competent figurative painter, his work reminiscent of Van Gogh in early, potato-eater mode; but he soon came in contact with non-figurative painting and in 1916 met Mondrian, newly returned from Paris.
This work is Van ­Doesburg's masterpiece of interior design. Van Doesburg's contribution to this shift in emphasis was crucial. On stage, wearing a monocle and with his face whited up, Van Doesburg would recite from his recent pamphlet Although few knew it at the time, Van Doesburg's active involvement in Dada predates all this. He was both gregarious and eclectic, a centripetal element in a diverse and chaotic artistic world. In the drawings perspective is ambiguous; walls are no longer supporting structures but floating, intersecting planes of primary colour; rooms are not static boxes but conceptual spaces hovering in the air. Perhaps as a result of this exhibition he will begin to take his deserved place in the public imagination.Of all the arts that Van Doesburg touched perhaps his greatest influence lay in the area of architecture and design. He is best known as the founder and leader of De Stijl together with Piet Mondrian.Later he engaged himself more with … Photograph: Museum of Modern Art, New York/The Sidney and Harriet Janis Collection, 1967Detail of Theo van Doesburg's Simultaneous Counter-Composition 1929-30.

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